Heads Up, Ears Down

This blog accurately identifies depictions of violence and cruelty toward animals in films. The purpose is to provide viewers with a reliable guide so that such depictions do not come as unwelcome surprises. Films will be accurately notated, providing a time cue for each incident along with a concise description of the scene and perhaps relevant context surrounding the incident. In order to serve as a useful reference tool, films having no depictions of violence to animals will be included, with an indication that there are no such scenes. This is confirmation that the films have been watched with the stated purpose in mind.


Note that the word depictions figures prominently in the objective. It is a travesty that discussions about cruelty in film usually are derailed by the largely unrelated assertion that no animals really were hurt (true only in some films, dependent upon many factors), and that all this concern is just over a simulation. Not the point, whether true or false. We do not smugly dismiss depictions of five-year-olds being raped because those scenes are only simulations. No, we are appalled that such images are even staged, and we are appropriately horrified that the notion now has been planted into the minds of the weak and cruel.


Depictions of violence or harm to animals are assessed in keeping with our dominant culture, with physical abuse, harmful neglect, and similar mistreatment serving as a base line. This blog does not address extended issues of animal welfare, and as such does not identify scenes of people eating meat or mules pulling plows. The goal is to itemize images that might cause a disturbance in a compassionate household.


These notes provide a heads-up but do not necessarily discourage watching a film because of depicted cruelty. Consuming a piece of art does not make you a supporter of the ideas presented. Your ethical self is created by your public rhetoric and your private actions, not by your willingness to sit through a filmed act of violence.

Whiskey Mountain

Whiskey Mountain. William Grefé, 1977.

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Edition screened: Included in Arrow Blu-ray box set He Came from the Swamp: The William Grefé Collection, released 2020. English language. Runtime approximately 90 minutes.


Summary: No depictions of violence or harm to animals.


Learned from watching this set of films is that Grefé has no particular aesthetic. A style does emerge, more the inevitable consequence of repeating processes than a vision or intention, but there is no aesthetic determiner beyond the signature underwear dance shoehorned into the script when possible. Rather, Grefé simplifies and converts whatever is popular at the moment within the limits of his resources. Whiskey Mountain collects some horrifying aspects of Deliverance and combines them with the despair of Straw Dogs. Trail bike riding through Moronland rather than white water rafting through Moronland is the big distinction. If you’re going to galivant around with your smug citified ways, then you best do that trespassing at home.

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