Heads Up, Ears Down

This blog accurately identifies depictions of violence and cruelty toward animals in films. The purpose is to provide viewers with a reliable guide so that such depictions do not come as unwelcome surprises. Films will be accurately notated, providing a time cue for each incident along with a concise description of the scene and perhaps relevant context surrounding the incident. In order to serve as a useful reference tool, films having no depictions of violence to animals will be included, with an indication that there are no such scenes. This is confirmation that the films have been watched with the stated purpose in mind.


Note that the word depictions figures prominently in the objective. It is a travesty that discussions about cruelty in film usually are derailed by the largely unrelated assertion that no animals really were hurt (true only in some films, dependent upon many factors), and that all this concern is just over a simulation. Not the point, whether true or false. We do not smugly dismiss depictions of five-year-olds being raped because those scenes are only simulations. No, we are appalled that such images are even staged, and we are appropriately horrified that the notion now has been planted into the minds of the weak and cruel.


Depictions of violence or harm to animals are assessed in keeping with our dominant culture, with physical abuse, harmful neglect, and similar mistreatment serving as a base line. This blog does not address extended issues of animal welfare, and as such does not identify scenes of people eating meat or mules pulling plows. The goal is to itemize images that might cause a disturbance in a compassionate household.


These notes provide a heads-up but do not necessarily discourage watching a film because of depicted cruelty. Consuming a piece of art does not make you a supporter of the ideas presented. Your ethical self is created by your public rhetoric and your private actions, not by your willingness to sit through a filmed act of violence.

Jacques Rozier

Jacques Rozier. Jacques Rozier, 1955-1986.

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Edition screened: Potemkine DVD box set, released 2008. French language with English subtitles. Cumulative runtime approximately 573 minutes.


Summary: Rentrée des classes obsesses over a child finding and harassing a small snake, and Du côté d’Orouët includes flirtatious shenanigans with eels. Nothing horrible.


The five-DVD collection includes six films:


• Rentrée des classes (1955) - a waste of film intended to be a nostalgic look back at simpler times, like the worst of early Malle.

• Blue Jeans (1958) - an embarrassing celebration of impending date rape, but with good images of Cannes in the late 50s. 

• Adieu Philippine (1961) - a truly wonderful film.

• Du côté d’Orouët (1969) - a truly wonderful film.

• The Castaways of Turtle Island (1976) - odd, but also oddly entertaining.

• Maine Océan (1986) - long, trite, self-charmed and boring, like the worst of late Malle.


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