click Title for details | Animal Violence | Immaculate Corpse | |
---|---|---|---|
Jabberwocky | Minimal | The expansive middle | |
Jack in the Fox | Clean | The elusive top | |
Jack Frost | Clean | The expansive middle | |
Jacques Brel Is Alive and Well and Living in Paris | Clean | The expansive middle | |
Jacquot de Nantes | Clean | The expansive middle | |
Jailhouse 41 (Female Prisoner Scorpion) | Substantial | The expansive middle | |
James Bond: Ultimate Collector's Set | Substantial | The expansive middle | |
Jane B. for Agnès V. | Clean | The expansive middle | |
Játék | Clean | The expansive middle | |
The Jazz Singer (Crossland) | Clean | The expansive middle | |
Je t'aime, Je t'aime | Clean | The expansive middle | |
Je, tu, il, elle | Clean | The expansive middle | |
Jean-Claude Drouot Returns to Fontenay-aux-Roses | Clean | The expansive middle | |
Jean Cocteau: Autobiography of an Unknown | Clean | The expansive middle | |
Jean de Florette | Substantial | The expansive middle | |
Jean Epstein (Potemkine box set) | Clean | The elusive top | |
Jean Grémillon During the Occupation (Eclipse 34) | Clean | The expansive middle | |
Jean-Luc Godard + Jean-Pierre Gorin: Five Films, 1968-1971 | Clean | The expansive middle | |
Jean Vigo (Gondry) | Clean | The expansive middle | |
Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles | Clean | The elusive top | |
Jeepers Creepers | Clean | The expansive middle | |
Jeepers Creepers 2 | Clean | The smeary bottom | |
Jeff Keen Films (Williams) | Clean | The expansive middle | |
Jefferson in Paris | Minimal | The expansive middle | |
Jennifer’s Body | Clean | The expansive middle | |
Jericho | Clean | The expansive middle | |
The Jerk | Substantial | The expansive middle | |
A Jester's Tale | Clean | The expansive middle | |
La Jetée | Clean | The elusive top | |
Jewel of the Nile | Clean | The expansive middle | |
Jigoku | Clean | The expansive middle | |
Jimi Plays Monterey | Clean | The expansive middle | |
Joachim's Dictionary | Clean | The expansive middle | |
Joanna | Clean | The expansive middle | |
Joe Frisco in 'The Happy Hottentots' | Clean | The smeary bottom | |
John Cassavetes: Five Films | Clean | The expansive middle | |
John Dies at the End | Clean | The expansive middle | |
John Lennon: Sweet Toronto | Clean | The expansive middle | |
John Wick | Substantial | The expansive middle | |
John Wick: Chapter 2 | Clean | The expansive middle | |
The Joke | Clean | The expansive middle | |
Joker | Clean | The expansive middle | |
Jonathan Livingston Seagull | Minimal | The smeary bottom | serenity now |
Joop | Clean | The expansive middle | |
Joop Strikes Again | Clean | The expansive middle | |
Joseph W. Sarno Retrospect Series Volume 1 | Clean | The expansive middle | |
Joseph W. Sarno Retrospect Series Volume 2 | Clean | The expansive middle | |
Joseph W. Sarno Retrospect Series Volume 3 | Clean | The expansive middle | |
Joseph W. Sarno Retrospect Series Volume 4 | Clean | The expansive middle | |
Joseph W. Sarno Retrospect Series Volume 5 | Clean | The expansive middle | |
Joshua Oppenheimer: Early Works | Extreme | The expansive middle | |
Journey Through Setomaa | Clean | The expansive middle | |
Journey to Italy | Clean | The elusive top | |
Joy Thru Film | Clean | The expansive middle | |
Joyce at 34 | Clean | The expansive middle | |
Jubilee | Clean | The expansive middle | |
Judex | Minimal | The expansive middle | |
Judy! | Clean | The expansive middle | |
Julie: Old Time Tales of the Blue Ridge | Clean | The expansive middle | |
Junebug | Clean | The expansive middle | |
The Junk Shop | Clean | The expansive middle | |
Jurassic Park | Heavy | The expansive middle | |
Jurassic Park III | Substantial | The expansive middle | |
Jurassic World | Heavy | The expansive middle | |
Just Ancient Loops | Clean | The expansive middle | |
Just for the Hell of It | Clean | The smeary bottom | |
Just Listen | Clean | The expansive middle | |
Just Two Hot | Clean | The expansive middle | |
Justine: A Matter of Innocence | Clean | The expansive middle | |
Heads Up, Ears Down
This blog accurately identifies depictions of violence and cruelty toward animals in films. The purpose is to provide viewers with a reliable guide so that such depictions do not come as unwelcome surprises. Films will be accurately notated, providing a time cue for each incident along with a concise description of the scene and perhaps relevant context surrounding the incident. In order to serve as a useful reference tool, films having no depictions of violence to animals will be included, with an indication that there are no such scenes. This is confirmation that the films have been watched with the stated purpose in mind.
Note that the word depictions figures prominently in the objective. It is a travesty that discussions about cruelty in film usually are derailed by the largely unrelated assertion that no animals really were hurt (true only in some films, dependent upon many factors), and that all this concern is just over a simulation. Not the point, whether true or false. We do not smugly dismiss depictions of five-year-olds being raped because those scenes are only simulations. No, we are appalled that such images are even staged, and we are appropriately horrified that the notion now has been planted into the minds of the weak and cruel.
Depictions of violence or harm to animals are assessed in keeping with our dominant culture, with physical abuse, harmful neglect, and similar mistreatment serving as a base line. This blog does not address extended issues of animal welfare, and as such does not identify scenes of people eating meat or mules pulling plows. The goal is to itemize images that might cause a disturbance in a compassionate household.
These notes provide a heads-up but do not necessarily discourage watching a film because of depicted cruelty. Consuming a piece of art does not make you a supporter of the ideas presented. Your ethical self is created by your public rhetoric and your private actions, not by your willingness to sit through a filmed act of violence.