click Title for details | Animal Violence | Immaculate Corpse | ||
---|---|---|---|---|
E-CLIP-SE of Sets | Clean | The expansive middle | | |
Early Bergman (Eclipse 1) | Clean | The expansive middle | | |
Early Hou Hsiao-Hsien: Three Films 1980-1983 | Heavy | The expansive middle | | |
The Early Works: Rainer Werner Fassbinder | Clean | The expansive middle | | |
The Earrings of Madame de … | Clean | The elusive top | | |
The Earth as Seen from the Moon | Clean | The expansive middle | | |
Easter Parade | Clean | The expansive middle | | |
Eastern Promises | Clean | The expansive middle | | |
Easy Rider | Minimal | The expansive middle | | |
Eat at the Blue Fox | Clean | The expansive middle | | |
Eaten Alive (Hooper) | Substantial | The expansive middle | | |
Eaten Alive: A Tasteful Revenge | Clean | The expansive middle | | |
Eating Raoul | Clean | The expansive middle | | |
Eau d'artifice | Clean | The elusive top | | |
The Eclipse [Rose Hobart] (Cornell) | Clean | The expansive middle | | |
L'eclisse (Antonioni) | Clean | The elusive top | | |
Ecstasies of Women | Clean | The expansive middle | | |
Ecstasis | Clean | The expansive middle | | |
Edge of the Axe | Heavy | The expansive middle | | |
Education for the Future | Clean | The expansive middle | | |
Edward Scissorhands | Clean | The expansive middle | | |
Effi Briest | Clean | The expansive middle | | |
Eggshells | Clean | The expansive middle | | |
The Eight Diagram Pole Fighter | Clean | The expansive middle | | |
Eight Hours of Terror | Clean | The expansive middle | | |
Eisenstein: The Sound Years | Clean | The expansive middle | | |
The El Duce Tapes | Clean | The expansive middle | | |
Electra, My Love | Clean | The expansive middle | | |
Electric Edwardians: The Lost Films of Mitchell & Kenyon | Clean | The expansive middle | | |
The Element of Crime | Minimal | The expansive middle | | |
Elena and Her Men | Clean | The expansive middle | | |
Elephant (Clarke) | Clean | The expansive middle | | |
The Elephant Will Never Forget | Clean | The expansive middle | | |
Elevator to the Gallows | Clean | The expansive middle | | |
The Eleventh Commandment | Clean | The expansive middle | | |
Elf | Clean | The expansive middle | | |
Elise Janis in a Vaudeville Act: Behind the Lines | Clean | The expansive middle | | |
Elles | Clean | The expansive middle | | |
Ellipses Reel Five (". . . " Reel Five) | Clean | The expansive middle | | |
Elsa la rose | Clean | The expansive middle | | |
Elvira: Mistress of the Dark | Minimal | The expansive middle | | |
The Embassy | Clean | The expansive middle | | |
Embodiment of Evil | Substantial | The expansive middle | | |
The Emerald Forest | Substantial | The expansive middle | | |
The Emigrants | Heavy | The expansive middle | | |
Emile de Antonio: Films of a Radical Saint | Clean | The elusive top | | |
Emma | Clean | The expansive middle | | |
Emma Mae | Clean | The expansive middle | | |
Emotion (Ôbayashi) | Clean | The elusive top | | |
The Emperor Jones | Clean | The expansive middle | | |
The Emperor's New Clothes (Taylor) | Clean | The expansive middle | | |
The Enchanted City | Clean | The expansive middle | ||
Encounters at the End of the World | Clean | The expansive middle | | |
The End | Clean | The expansive middle | | |
The End of an Old Song | Clean | The expansive middle | | |
End of Man | Clean | The expansive middle | | |
End of the Commune? | Clean | The expansive middle | | |
The Endless Summer | Minimal | The expansive middle | | |
The Endurance: Shackleton's Antarctic Expedition | Clean | The expansive middle | | |
Enemy | Clean | The expansive middle | | |
Enemy Gold | Clean | The expansive middle | | |
L'Enfer (Chabrol) | Clean | The expansive middle | | |
The Enigma of Kaspar Hauser (Herzog) | Minimal | The elusive top | | |
L'Ennui | Clean | The expansive middle | | |
The Eno | Clean | The elusive top | | |
Enoch Arden | Clean | The expansive middle | | |
Ensemble for Somnambulists | Clean | The expansive middle | | |
Enter the Dragon | Minimal | The expansive middle | | |
Enter the Ninja | Clean | The expansive middle | | |
Enter the Void | Clean | The expansive middle | | |
Enthusiasm: Symphony for the Donbass | Clean | The expansive middle | | |
The Entire History of the Louisiana Purchase | Minimal | The expansive middle | | |
The Entity | Clean | The expansive middle | | |
The Epic of Everest | Clean | The expansive middle | | |
Epidemic [6] | Minimal | The elusive top | | |
Equilibrium (from Eros) | Clean | The expansive middle | | |
Equinox | Clean | The expansive middle | | |
The Equinox … A Journey into the Supernatural | Clean | The expansive middle | | |
Erik the Conqueror | Clean | The expansive middle | | |
Erik, the Extra | Clean | The expansive middle | | |
Ernest Hemingway's 'The Killers' | Clean | The expansive middle | | |
Eros | Clean | The expansive middle | | |
Eros + Massacre | Clean | The expansive middle | | |
Erotic Adventures of Candy | Clean | The expansive middle | | |
The Erotic Adventures of Hercules | Clean | The smeary bottom | | |
Erotic Point of View | Clean | The expansive middle | | |
Erotikon | Clean | The expansive middle | | |
Escape: Synchronomy No. 4 | Clean | The expansive middle | | |
Escape from New York | Clean | The expansive middle | | |
Escape from the 'Liberty' Cinema | Clean | The expansive middle | | |
Escape from Tomorrow | Clean | The expansive middle | | |
Essence of Life | Clean | The expansive middle | | |
D'est | Clean | The expansive middle | | |
Eternal Sunshine of the Spotless Mind | Clean | The expansive middle | | |
Ethan Frome | Substantial | The expansive middle | | |
Ethel Sinclair and Marge La Marr: At the Seashore | Clean | The expansive middle | | |
L'Etrange Portrait de le dame en jaune | Clean | The expansive middle | | |
Eugene | Minimal | The expansive middle | | |
Eureka (Roeg) | Minimal | The expansive middle | | |
Europe '51 | Clean | The expansive middle | | |
Evangeline | Clean | The expansive middle | | |
Even Dwarfs Started Small | Extreme | The expansive middle | | |
An Evening Like the Others | Clean | The expansive middle | | |
Everybody's an Actor, Shakespeare Said | Clean | The expansive middle | | |
Everything Everywhere All at Once | Substantial | The expansive middle | | |
Everything Visible Is Empty | Clean | The expansive middle | | |
Evil Come, Evil Go | Clean | The expansive middle | | |
Evil Dead (Alvarez) | Substantial | The expansive middle | Delta 88 | |
The Evil Dead (Raimi) | Clean | The expansive middle | | |
Evil Dead Rise | Clean | The expansive middle | | |
Evil Dead II | Clean | The expansive middle | | |
Evil Ed | Clean | The expansive middle | | |
Evil of Dracula | Clean | The expansive middle | | |
The Evil of Frankenstein | Substantial | The expansive middle | | |
Evils of the Night | Clean | The smeary bottom | | |
Ex Machina | Clean | The expansive middle | | |
Excalibur | Minimal | The expansive middle | | |
Excision | Substantial | The expansive middle | | |
The Executioner: Part II | Clean | The expansive middle | | |
Executioners from Shaolin | Clean | The expansive middle | | |
The Exorcism of Emily Rose | Clean | The expansive middle | | |
The Exorcist | Clean | The expansive middle | | |
Expansion: Kakuchou | Clean | The expansive middle | | |
Expectations | Clean | The expansive middle | | |
The Exterminating Angel | Minimal | The elusive top | | |
The Exterminator | Substantial | The expansive middle | | |
Extract | Clean | The expansive middle | | |
The Eye Like a Strange Balloon Mounts Toward Infinity | Clean | The elusive top | | |
Eye Myth | Clean | The expansive middle | | |
Eyes of Fire | Substantial | The expansive middle | | |
Eyes Without a Face | Clean | The expansive middle | | |
Eyewash | Clean | The expansive middle | |
Heads Up, Ears Down
This blog accurately identifies depictions of violence and cruelty toward animals in films. The purpose is to provide viewers with a reliable guide so that such depictions do not come as unwelcome surprises. Films will be accurately notated, providing a time cue for each incident along with a concise description of the scene and perhaps relevant context surrounding the incident. In order to serve as a useful reference tool, films having no depictions of violence to animals will be included, with an indication that there are no such scenes. This is confirmation that the films have been watched with the stated purpose in mind.
Note that the word depictions figures prominently in the objective. It is a travesty that discussions about cruelty in film usually are derailed by the largely unrelated assertion that no animals really were hurt (true only in some films, dependent upon many factors), and that all this concern is just over a simulation. Not the point, whether true or false. We do not smugly dismiss depictions of five-year-olds being raped because those scenes are only simulations. No, we are appalled that such images are even staged, and we are appropriately horrified that the notion now has been planted into the minds of the weak and cruel.
Depictions of violence or harm to animals are assessed in keeping with our dominant culture, with physical abuse, harmful neglect, and similar mistreatment serving as a base line. This blog does not address extended issues of animal welfare, and as such does not identify scenes of people eating meat or mules pulling plows. The goal is to itemize images that might cause a disturbance in a compassionate household.
These notes provide a heads-up but do not necessarily discourage watching a film because of depicted cruelty. Consuming a piece of art does not make you a supporter of the ideas presented. Your ethical self is created by your public rhetoric and your private actions, not by your willingness to sit through a filmed act of violence.