Heads Up, Ears Down

This blog accurately identifies depictions of violence and cruelty toward animals in films. The purpose is to provide viewers with a reliable guide so that such depictions do not come as unwelcome surprises. Films will be accurately notated, providing a time cue for each incident along with a concise description of the scene and perhaps relevant context surrounding the incident. In order to serve as a useful reference tool, films having no depictions of violence to animals will be included, with an indication that there are no such scenes. This is confirmation that the films have been watched with the stated purpose in mind.


Note that the word depictions figures prominently in the objective. It is a travesty that discussions about cruelty in film usually are derailed by the largely unrelated assertion that no animals really were hurt (true only in some films, dependent upon many factors), and that all this concern is just over a simulation. Not the point, whether true or false. We do not smugly dismiss depictions of five-year-olds being raped because those scenes are only simulations. No, we are appalled that such images are even staged, and we are appropriately horrified that the notion now has been planted into the minds of the weak and cruel.


Depictions of violence or harm to animals are assessed in keeping with our dominant culture, with physical abuse, harmful neglect, and similar mistreatment serving as a base line. This blog does not address extended issues of animal welfare, and as such does not identify scenes of people eating meat or mules pulling plows. The goal is to itemize images that might cause a disturbance in a compassionate household.


These notes provide a heads-up but do not necessarily discourage watching a film because of depicted cruelty. Consuming a piece of art does not make you a supporter of the ideas presented. Your ethical self is created by your public rhetoric and your private actions, not by your willingness to sit through a filmed act of violence.

The Celebration (Festen)

The Celebration (Festen: Dogme 1). Thomas Vinterberg, 1998.

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Edition screened: Criterion Blu-ray #1108, released 2022. Danish language with English subtitles. Runtime approximately 106 minutes.


Summary: No depictions of violence or harm to animals.


The Criterion Blu-ray release also includes a 2002 documentary about Dogme 95, The Purified, along with two early short films by Vinterberg: The Boy Who Walked Backwards (1995, 36 minutes); and Last Round (1993, 34 minutes).


Blood Shack (The Chooper)

Blood Shack (The Chooper). Ray Dennis Steckler (as Wolfgang Schmidt), 1971.

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Edition screened: Included in Severin Blu-ray box set The Incredibly Strange Films of Ray Dennis Steckler, released 2022. English language. Runtime approximately 55 minutes.


Summary: Both versions of the film included two scenes of calf roping and dogging. Neither is graphic nor shows evidence of the calves being injured, but the calves are in extreme distress as they struggle and nice people do not do this.  


Details:

1) The two rodeo sequences in the Blood Shack version (55 minutes) include calf roping at 33:59 - 34:57 and 47:40 - 48:29, with the balance of the rodeo footage being bull riding and barrel racing.

2) The two rodeo sequences in the The Chooper version (70 minutes) include the same calf ropings at 45:19 - 45:50 and 1:02:01 - 1:02:54, and add a few additional minutes of pony riding and a parade.


There is much internet discussion about how Steckler was required to extend the length of this film and complied by inserting an irrelevant visit to the rodeo. Padding is abundant but the reported evidence is jumbled. The 55-minute Blood Shack was not padded with rodeo footage to create the 70-minute version called The Chooper. Both versions are padded with irrelevancies such as scenes of Steckler’s children at play and both have two rodeo sequences connected by a voice-over “we had such a good time that we went back again the next day.” The Chooper tacks on maybe two more minutes of rodeo scenes, but the bulk of that film’s additional 15 minutes comes from added scenes including one in “the screenwriting office” decorated with lobby cards from other Steckler films and head shots of the new owner who, it is explained, was the former leading lady in those films whew.


The longer version, The Chooper, is a more entertaining viewing experience because it adds: 1) a good Steckler-style title sequence with fun horror comic graphics; 2) at least two pieces of original music with character-specific lyrics; 3) additional moody exterior shots with voice-overs, in classic 70’s horror fashion and possibly the best aspect of the films; 4) additional short scenes and blocks of dialogue seemingly added to explain questions raised by Blood Shack such as Why is there suddenly a puppy? and Why does the ranch house have a prominent framed photo of the city slicker relative who just inherited the property?



Girl in Trouble

Girl in Trouble. Brandon Chase (as Lee Beale), 1963.

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Edition screened: Included on Something Weird DVD Teen Turmoil Triple Feature, released 2004. English language. Runtime approximately 82 minutes.


Another of these interchangeably generic and abysmally boring small-town-girl-goes-to-the-big-city films that kids these days insist on calling sexploitation despite the fact that there is no sex nor anything sexy in the film, and the only thing that is exploited is the poor suitcase that the girl flings onto a bed or shoves into the backseat of a car fifteen times.


The SW disc also includes A Good Time with a Bad Girl and Bad Girls Do Cry


Sundelbolong

Sundelbolong. Sisworo Gautama Putra, 1981.

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Edition screened: Included in Severin Blu-ray box set All the Haunts Be Ours: A Compendium of Folk Horror Volume 2, released 2024. Indonesian language with English subtitles. Runtime approximately 106 minutes.


Summary: No depictions of violence or harm to animals.


I found Sundelbolong taxing to watch due to the gang rape and murder that occur early in the film, an assault that dooms the violated woman to the life of a vengeful ghost. The victim is not adequately revenged, a satisfaction we have come to expect in modern rape/revenge films. Instead she is ritualistically dispelled by a group of mixed assailants and former friends.


Sundelbolong exemplifies the outrageous visual conventions of Indonesian ghost horror, but other films such as Djalil’s Mystics of Bali show these techniques and stylizations in a context I find less distasteful.


The Sundelbolong disk also includes the short film White Song and  Suzzanna: The Queen of Black Magic, a feature-length documentary about Indonesian Scream Queen and Sundelbolong star Suzanna Martha Frederika van Osch.

Suzzanna: The Queen of Black Magic

Suzzanna: The Queen of Black Magic. David Gregory, 2024.

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Edition screened: Included in Severin Blu-ray box set All the Haunts Be Ours: A Compendium of Folk Horror Volume 2, released 2024. English and Indonesian language with English subtitles. Runtime approximately 88 minutes.


Summary: No depictions of violence or harm to animals.


A documentary about the life and work of Suzanna Martha Frederika van Osch, beloved star of Sundelbolong and many Indonesian horror films. If you are not interested to watch many such films, this career retrospective serves as a nice Best of Indonesian Horror and includes generous excerpts of the distinctive special effects associated with the genre.

White Song

White Song. Katrina Irawati Graham, 2006.

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Edition screened: Included in Severin Blu-ray box set All the Haunts Be Ours: A Compendium of Folk Horror Volume 2, released 2024. Indonesian language with English subtitles. Runtime approximately 11 minutes.


Summary: No depictions of violence or harm to animals.


A modern ghost story included with Sundelbolong as a thematically relevant short subject.