click Title for details | Animal Violence | Immaculate Corpse | |
---|---|---|---|
O Brother, Where Art Thou? | Heavy | The expansive middle | |
Ô saisons ô chateaux | Clean | The expansive middle | |
Objects in the Mirror Are Further Than They Appear | Clean | The expansive middle | |
Obsessions (de la Parra) | Clean | The expansive middle | |
Octopussy | Minimal | The expansive middle | |
Odds & Ends | Clean | The expansive middle | |
Odd Man Out | Clean | The expansive middle | |
Ode to the Dawn of Man | Clean | The expansive middle | |
Odin's Shield Maiden | Clean | The expansive middle | |
Oedipus Rex (Pasolini) | Clean | The expansive middle | |
Oedipus Wreck (Allen) | Clean | The expansive middle | |
Of Freaks and Men | Clean | The expansive middle | |
Of Time and the City | Minimal | The expansive middle | |
The Off-Handed Jape … & How to Pull It Off | Clean | The expansive middle | |
The Office (Gervais) | Clean | The elusive top | |
The Office (Kieslowski) | Clean | The expansive middle | |
Oh, Whistle and I'll Come to You, My Lad (Bell) | Clean | The expansive middle | |
O'Horten | Clean | The expansive middle | |
Old | Clean | The expansive middle | |
Old Chums | Clean | The expansive middle | |
Old Dracula | Clean | The expansive middle | |
The Old Grey Whistle Test | Clean | The expansive middle | |
Old Joy | Clean | The expansive middle | |
The Old Man's Bride | Clean | The expansive middle | |
Old Shatterhand Came to See Us | Clean | The expansive middle | |
Oldboy | Heavy | The expansive middle | |
Olga Triple Feature | Clean | The expansive middle | |
Olga’s Dance Hall Girls | Clean | The expansive middle | |
Olga’s House of Shame | Clean | The expansive middle | |
Olive Kitteridge | Clean | The expansive middle | |
Olivia | Clean | The expansive middle | |
The Olympic Games as They Were Practiced in Ancient Greece | Clean | The expansive middle | |
The Olympic Games Held at Chamonix in 1924 | Clean | The expansive middle | |
The Olympic Games in Paris 1924 | Clean | The expansive middle | |
L'ombre de la pomme | Clean | The expansive middle | |
The Omen (Donner) | Minimal | The expansive middle | |
The Omen (Moore) | Clean | The expansive middle | |
The Omen III: The Final Conflict | Substantial | The expansive middle | |
Omozap/Omozap 2 | Clean | The expansive middle | |
Omozap in Artwar | Clean | The expansive middle | |
Omozap Terribelis/Afterblatz 2 | Clean | The expansive middle | |
On Any Sunday | Clean | The expansive middle | |
On demande une brute | Substantial | The expansive middle | |
On Her Bed of Roses | Clean | The expansive middle | |
On Her Majesty's Secret Service | Clean | The expansive middle | |
On Pascal | Clean | The expansive middle | |
On purge bébé | Clean | The smeary bottom | |
On Solace | Clean | The expansive middle | |
On the Bowery | Clean | The elusive top | |
On the Edge | Clean | The expansive middle | |
On the Silver Globe | Substantial | The expansive middle | |
On the Town | Clean | The expansive middle | |
Once Upon a Time (Borowczyk) | Clean | The expansive middle | |
Once Upon a Time in . . . Hollywood | Minimal | The expansive middle | |
Once Upon a Time There Was a Country | Heavy | The expansive middle | |
Once Upon a Time There Was … Contempt | Clean | The expansive middle | |
One-Armed Boxer | Clean | The expansive middle | |
One Day in the Life of Andrei Arsenevich | Clean | The expansive middle | |
One Eyed Girl | Clean | The expansive middle | |
One Flew Over the Cuckoo's Nest | Substantial | The expansive middle | |
One Hundred and One Nights | Clean | The expansive middle | |
One Is Business, the Other Crime | Clean | The expansive middle | |
One Missed Call | Clean | The expansive middle | |
One Missed Call 2 | Minimal | The expansive middle | |
One Missed Call 3: Final | Clean | The expansive middle | |
One Missed Call Trilogy | Minimal | The expansive middle | |
One Naked Night | Clean | The expansive middle | |
One of the Missing | Clean | The expansive middle | |
One Pair of Eyes: Alan Garner | Clean | The elusive top | |
One Sings, the Other Doesn't | Clean | The expansive middle | |
One Wonderful Sunday | Clean | The expansive middle | |
Onibaba | Substantial | The expansive middle | |
Only Dream Things | Clean | The expansive middle | |
Only God Forgives | Clean | The expansive middle | |
The Only Take | Clean | The expansive middle | |
Open Your Eyes | Clean | The expansive middle | |
Opening Night | Clean | The expansive middle | |
The Opening of Misty Beethoven | Clean | The expansive middle | |
Opening of British Instructional Film Studio | Clean | The expansive middle | |
L'opéra-mouffe | Clean | The expansive middle | |
Operation Titian | Substantial | The expansive middle | |
The Oral Generation | Clean | The expansive middle | |
Orchard Street | Clean | The expansive middle | |
Orchestra Rehearsal | Clean | The expansive middle | |
Ordet | Clean | The elusive top | |
Organ Molly | Clean | The expansive middle | |
Orgies of Edo | Minimal | The expansive middle | |
The Orgy at Lil's Place | Clean | The expansive middle | |
Orgy of the Dead | Clean | The expansive middle | |
Oriental Baby Sitter | Clean | The expansive middle | |
Oriental Hawaii | Clean | The expansive middle | |
Orphan | Substantial | The expansive middle | |
The Orphanage | Clean | The expansive middle | |
Orpheus | Clean | The expansive middle | |
The Orphic Trilogy | Clean | The expansive middle | |
Ôshima's Outlaw Sixties | Clean | The expansive middle | |
The Other (Mulligan) | Substantial | The expansive middle | |
The Others (Amenábar) | Clean | The expansive middle | |
Our School | Clean | The expansive middle | |
Out | Clean | The expansive middle | |
Out 1: Noli Me Tangere | Clean | The expansive middle | |
Outerborough | Clean | The expansive middle | |
Outlaw Gangster VIP: The Complete Collection | Clean | The expansive middle | |
Outlaw-Matsu Comes Home | Clean | The expansive middle | |
Over the Ice | Clean | The expansive middle | |
Overlord | Clean | The elusive top | |
Owl Gets in Your Eyes | Clean | The expansive middle | |
An Owl Is an Owl Is an Owl | Minimal | The expansive middle | |
The Oyster Princess | Clean | The elusive top | |
Oyû-Sama | Clean | The expansive middle | |
Heads Up, Ears Down
This blog accurately identifies depictions of violence and cruelty toward animals in films. The purpose is to provide viewers with a reliable guide so that such depictions do not come as unwelcome surprises. Films will be accurately notated, providing a time cue for each incident along with a concise description of the scene and perhaps relevant context surrounding the incident. In order to serve as a useful reference tool, films having no depictions of violence to animals will be included, with an indication that there are no such scenes. This is confirmation that the films have been watched with the stated purpose in mind.
Note that the word depictions figures prominently in the objective. It is a travesty that discussions about cruelty in film usually are derailed by the largely unrelated assertion that no animals really were hurt (true only in some films, dependent upon many factors), and that all this concern is just over a simulation. Not the point, whether true or false. We do not smugly dismiss depictions of five-year-olds being raped because those scenes are only simulations. No, we are appalled that such images are even staged, and we are appropriately horrified that the notion now has been planted into the minds of the weak and cruel.
Depictions of violence or harm to animals are assessed in keeping with our dominant culture, with physical abuse, harmful neglect, and similar mistreatment serving as a base line. This blog does not address extended issues of animal welfare, and as such does not identify scenes of people eating meat or mules pulling plows. The goal is to itemize images that might cause a disturbance in a compassionate household.
These notes provide a heads-up but do not necessarily discourage watching a film because of depicted cruelty. Consuming a piece of art does not make you a supporter of the ideas presented. Your ethical self is created by your public rhetoric and your private actions, not by your willingness to sit through a filmed act of violence.