Heads Up, Ears Down

This blog accurately identifies depictions of violence and cruelty toward animals in films. The purpose is to provide viewers with a reliable guide so that such depictions do not come as unwelcome surprises. Films will be accurately notated, providing a time cue for each incident along with a concise description of the scene and perhaps relevant context surrounding the incident. In order to serve as a useful reference tool, films having no depictions of violence to animals will be included, with an indication that there are no such scenes. This is confirmation that the films have been watched with the stated purpose in mind.


Note that the word depictions figures prominently in the objective. It is a travesty that discussions about cruelty in film usually are derailed by the largely unrelated assertion that no animals really were hurt (true only in some films, dependent upon many factors), and that all this concern is just over a simulation. Not the point, whether true or false. We do not smugly dismiss depictions of five-year-olds being raped because those scenes are only simulations. No, we are appalled that such images are even staged, and we are appropriately horrified that the notion now has been planted into the minds of the weak and cruel.


Depictions of violence or harm to animals are assessed in keeping with our dominant culture, with physical abuse, harmful neglect, and similar mistreatment serving as a base line. This blog does not address extended issues of animal welfare, and as such does not identify scenes of people eating meat or mules pulling plows. The goal is to itemize images that might cause a disturbance in a compassionate household.


These notes provide a heads-up but do not necessarily discourage watching a film because of depicted cruelty. Consuming a piece of art does not make you a supporter of the ideas presented. Your ethical self is created by your public rhetoric and your private actions, not by your willingness to sit through a filmed act of violence.

Gate of Flesh

Gate of Flesh (Nikutai no mon). Seijun Suzuki, 1964.
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Edition screened: Criterion DVD #298, released 2005. Japanese language with English subtitles. Runtime approximately 90 minutes.

Summary: Graphic slaughter of a cow.

Details: The thief Shin leads a cow into the house and begins to talk about butchering it. Immediately thereafter, at 1:01:20, he kills it, the blood flows and he carves it up. This extremely graphic scene is over at 1:02:45.

I recommend watching this film and skipping the cow butchering scene. You will miss nothing of plot, dialogue, or anything else by skipping to the 1:02:45 mark, where the action has cut to a girl standing on a bridge talking with soldiers.

Gate of Flesh is a visually outrageous film, with color effects, sets, and costumes unlike anything else other than another Suzuki movie. It’s also sexy, fun, and full of visual surprises. Suzuki intended the cow butchering to be just one more over-the-top surprise, but it’s very gruesome and interferes with the Go-Go groove. So with that warning stated clearly, Gate of Flesh is a great introduction to Suzuki and to the general spectacle of wild 60s Japanese pop film outside the ghetto of imbecilic monster movies.

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