Heads Up, Ears Down

This blog accurately identifies depictions of violence and cruelty toward animals in films. The purpose is to provide viewers with a reliable guide so that such depictions do not come as unwelcome surprises. Films will be accurately notated, providing a time cue for each incident along with a concise description of the scene and perhaps relevant context surrounding the incident. In order to serve as a useful reference tool, films having no depictions of violence to animals will be included, with an indication that there are no such scenes. This is confirmation that the films have been watched with the stated purpose in mind.


Note that the word depictions figures prominently in the objective. It is a travesty that discussions about cruelty in film usually are derailed by the largely unrelated assertion that no animals really were hurt (true only in some films, dependent upon many factors), and that all this concern is just over a simulation. Not the point, whether true or false. We do not smugly dismiss depictions of five-year-olds being raped because those scenes are only simulations. No, we are appalled that such images are even staged, and we are appropriately horrified that the notion now has been planted into the minds of the weak and cruel.


Depictions of violence or harm to animals are assessed in keeping with our dominant culture, with physical abuse, harmful neglect, and similar mistreatment serving as a base line. This blog does not address extended issues of animal welfare, and as such does not identify scenes of people eating meat or mules pulling plows. The goal is to itemize images that might cause a disturbance in a compassionate household.


These notes provide a heads-up but do not necessarily discourage watching a film because of depicted cruelty. Consuming a piece of art does not make you a supporter of the ideas presented. Your ethical self is created by your public rhetoric and your private actions, not by your willingness to sit through a filmed act of violence.

Against All Odds

Against All Odds. Taylor Hackford, 1984.

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Edition screened: Image Blu-ray, released 2011. English language. Runtime approximately 210 minutes.


Summary: The second deleted scene included on the Image release, “A Coyote saves Terry’s bacon at Riviera” shows a fox caught in a foothold trap on a gold course. A mid-distance shot (1:09-1:14) shows the coyote struggling in pain and distress, followed by a close shot (1:27-2:03) in which the coyote’s bloody foot is apparent while Jeff Bridges releases it from the trap with a golf club. The absurd setting on a golf course suggests that this poor animal was forced into the trap or trapped elsewhere and relocated with the torture device attached. (Thanks Eli!)


I cannot conceive how anyone ever thought traps of this sort - not to mention the far more brutal Conibear trap - were remotely acceptable. But I do remember fifteen years or so ago when pro-animal torture groups in the United States caught on that normal people were repulsed by that reality and changed their mantra from “huntin’, fishin’, and trappin’” to “huntin’, fishin’, and Harvesting Game”; just like how folks harvest grapes and apples and whatnot wearing straw hats and black trousers with suspenders. Same thing.


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