Heads Up, Ears Down
This blog accurately identifies depictions of violence and cruelty toward animals in films. The purpose is to provide viewers with a reliable guide so that such depictions do not come as unwelcome surprises. Films will be accurately notated, providing a time cue for each incident along with a concise description of the scene and perhaps relevant context surrounding the incident. In order to serve as a useful reference tool, films having no depictions of violence to animals will be included, with an indication that there are no such scenes. This is confirmation that the films have been watched with the stated purpose in mind.
Note that the word depictions figures prominently in the objective. It is a travesty that discussions about cruelty in film usually are derailed by the largely unrelated assertion that no animals really were hurt (true only in some films, dependent upon many factors), and that all this concern is just over a simulation. Not the point, whether true or false. We do not smugly dismiss depictions of five-year-olds being raped because those scenes are only simulations. No, we are appalled that such images are even staged, and we are appropriately horrified that the notion now has been planted into the minds of the weak and cruel.
Depictions of violence or harm to animals are assessed in keeping with our dominant culture, with physical abuse, harmful neglect, and similar mistreatment serving as a base line. This blog does not address extended issues of animal welfare, and as such does not identify scenes of people eating meat or mules pulling plows. The goal is to itemize images that might cause a disturbance in a compassionate household.
These notes provide a heads-up but do not necessarily discourage watching a film because of depicted cruelty. Consuming a piece of art does not make you a supporter of the ideas presented. Your ethical self is created by your public rhetoric and your private actions, not by your willingness to sit through a filmed act of violence.
Wail (Keen)
Wake Up and Kill
1963 Gottlieb Sweet Hearts at 1:24:30.
A Walk Among the Tombstones
The War of the Worlds
We Are the Flesh
We Won’t Grow Old Together
The Weavers of Nishijin
Wedlock House: An Intercourse
Weed
Welcome Home Brother Charles
What a Way To Go!
Whiskey Galore (MacKinnon)
White Dust
White Heaven in Hell
White Lite (Keen)
The White Ribbon
White Vertigo
The Wildcat (Lubitsch)
Willard (Morgan)
The Wind-of-Youth Group Crosses the Mountain Pass
Window Water Baby Moving
The Witches (Dino De Laurentiis)
- The Witch Burned Alive (La strega bruciata viva), Luchino Visconti, 40 minutes
- Civic Duty (Senso civico), Mauro Bolognini, the longest 6 minutes in the world that do not include Peter Sellers
- The Earth as Seen from the Moon (La Terra vista dalla Luna), Pier Paolo Pasolini, 31 minutes
- The Sicilian Belle (The Girl from Sicily, La siciliana), Franco Rossi, 5 minutes
- An Evening Like the Others (Una serata come le altre), Vittorio De Sica, 27 minutes