Heads Up, Ears Down

This blog accurately identifies depictions of violence and cruelty toward animals in films. The purpose is to provide viewers with a reliable guide so that such depictions do not come as unwelcome surprises. Films will be accurately notated, providing a time cue for each incident along with a concise description of the scene and perhaps relevant context surrounding the incident. In order to serve as a useful reference tool, films having no depictions of violence to animals will be included, with an indication that there are no such scenes. This is confirmation that the films have been watched with the stated purpose in mind.


Note that the word depictions figures prominently in the objective. It is a travesty that discussions about cruelty in film usually are derailed by the largely unrelated assertion that no animals really were hurt (true only in some films, dependent upon many factors), and that all this concern is just over a simulation. Not the point, whether true or false. We do not smugly dismiss depictions of five-year-olds being raped because those scenes are only simulations. No, we are appalled that such images are even staged, and we are appropriately horrified that the notion now has been planted into the minds of the weak and cruel.


Depictions of violence or harm to animals are assessed in keeping with our dominant culture, with physical abuse, harmful neglect, and similar mistreatment serving as a base line. This blog does not address extended issues of animal welfare, and as such does not identify scenes of people eating meat or mules pulling plows. The goal is to itemize images that might cause a disturbance in a compassionate household.


These notes provide a heads-up but do not necessarily discourage watching a film because of depicted cruelty. Consuming a piece of art does not make you a supporter of the ideas presented. Your ethical self is created by your public rhetoric and your private actions, not by your willingness to sit through a filmed act of violence.

The Boxer’s Omen

The Boxer’s Omen (Mo). Kuei Chih-hung, 1983.

😿 😿 😿

Edition screened: Included in the Arrow Blu-ray box set Shawscope: Volume Two, released 2022. Mandarin language with English subtitles. Runtime approximately 105 minutes.


Summary: Ritualistic killing and torture of two chickens.


Details: Two psychic battles between a boxer-turned-monk and practitioners of Black Magic consume over half of this film’s runtime. In the first battle, the evil sorcerer performs outrageous rituals in his (lab?, game room?) decorated like the waiting area for the scary show at an amusement park. The monk sits calmly in a temple and counters his attacks. The second battle is rooted in arcane Thai magic, alluringly psychedelic rather than spooky in the traditional Chinese or Japanese taste. Both sequences hinge on the mystical power of stop-action claymation.


Although the evil magicians’ spells hinge primarily on the persecution of rubber animals, two live chickens also are cruelly victimized. The killing of these chickens compromise what otherwise would be a uniquely entertaining film.


1) From 16:32 through 18:25, a silly rubber bat is repeatedly killed and resurrected. The final minute of that sequence includes a real black rat which the sorcerer repeatedly pretends to bite into and spits simulated rodent blood on various Halloween decorations from aisle #2 in Home Depot.

2) This scene of ritual conjuring continues to include real vipers having their venom ‘milked’ (ick) into a glass container, through 24:22. The snakes do not appear to be particularly annoyed or even interested in the fact that rubber spiders are then supercharged with their venom.

3) A live rooster is decapitated and his blood thrown around to generate more evil rubber bats, 43:17-44:10.

4) A real crocodile is provoked with a weapon, then a rubber prop is used for the ensuing scene in which the fake crocodile is eviscerated and used as a resurrection coffin for a female demon, 58:10-59:27.

5) A live chicken’s protruding anus is sliced off and eaten family-style as part of the demon resurrection ritual, 1:03:41-1:04:15.


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