Heads Up, Ears Down

This blog accurately identifies depictions of violence and cruelty toward animals in films. The purpose is to provide viewers with a reliable guide so that such depictions do not come as unwelcome surprises. Films will be accurately notated, providing a time cue for each incident along with a concise description of the scene and perhaps relevant context surrounding the incident. In order to serve as a useful reference tool, films having no depictions of violence to animals will be included, with an indication that there are no such scenes. This is confirmation that the films have been watched with the stated purpose in mind.

Note that the word depictions figures prominently in the objective. It is a travesty that discussions about cruelty in film usually are derailed by the largely unrelated assertion that no animals really were hurt (true only in some films, dependent upon many factors), and that all this concern is just over a simulation. Not the point, whether true or false. We do not smugly dismiss depictions of five-year-olds being raped because those scenes are only simulations. No, we are appalled that such images are even staged, and we are appropriately horrified that the notion now has been planted into the minds of the weak and cruel.

Depictions of violence or harm to animals are assessed in keeping with our dominant culture, with physical abuse, harmful neglect, and similar mistreatment serving as a base line. This blog does not address extended issues of animal welfare, and as such does not identify scenes of people eating meat or mules pulling plows. The goal is to itemize images that might cause a disturbance in a compassionate household.

These notes provide a heads-up but do not necessarily discourage watching a film because of depicted cruelty. Consuming a piece of art does not make you a supporter of the ideas presented. Your ethical self is created by your public rhetoric and your private actions, not by your willingness to sit through a filmed act of violence.

Top of the Lake

Top of the Lake. Jane Campion and Garth Davis, 2013.
Edition screened: BBC Blu-ray, released 2013. English language. Runtime approximately 342 minutes.

Summary: Animal killing and mutilation, typical of asinine culture.

Matt, portrayed by Peter Mullen, is the leader of a group of Texas-style New Zealanders who ride around on motorcycles, in love with their over-compensating beards and tattoos, shooting anything that moves, and raping little girls. The show is not overloaded with animal torture but there are three or four incidents sprinkled through the six 50+ minute episodes including a dog shot point blank for no reason, juvenile desecration of  hunted animals, and similar. Pretty much the standard These Colors Don’t Run backyard family fun.

Jane Campion is a smart progressive woman, and as such usually is overtly animal-kind in her productions. Top of the Lake portrays some feminist ideals in a very unflatteringly way, combining with the scenes of violent Texan-style idiocy to show how a culture can push women to grasp at strains of alternative life; any alternative life.