Heads Up, Ears Down
This blog accurately identifies depictions of violence and cruelty toward animals in films. The purpose is to provide viewers with a reliable guide so that such depictions do not come as unwelcome surprises. Films will be accurately notated, providing a time cue for each incident along with a concise description of the scene and perhaps relevant context surrounding the incident. In order to serve as a useful reference tool, films having no depictions of violence to animals will be included, with an indication that there are no such scenes. This is confirmation that the films have been watched with the stated purpose in mind.
Note that the word depictions figures prominently in the objective. It is a travesty that discussions about cruelty in film usually are derailed by the largely unrelated assertion that no animals really were hurt (true only in some films, dependent upon many factors), and that all this concern is just over a simulation. Not the point, whether true or false. We do not smugly dismiss depictions of five-year-olds being raped because those scenes are only simulations. No, we are appalled that such images are even staged, and we are appropriately horrified that the notion now has been planted into the minds of the weak and cruel.
Depictions of violence or harm to animals are assessed in keeping with our dominant culture, with physical abuse, harmful neglect, and similar mistreatment serving as a base line. This blog does not address extended issues of animal welfare, and as such does not identify scenes of people eating meat or mules pulling plows. The goal is to itemize images that might cause a disturbance in a compassionate household.
These notes provide a heads-up but do not necessarily discourage watching a film because of depicted cruelty. Consuming a piece of art does not make you a supporter of the ideas presented. Your ethical self is created by your public rhetoric and your private actions, not by your willingness to sit through a filmed act of violence.
The Seafarers
Flying Padre
@ BL
Day of the Fight
Fear and Desire
George Washington
George Washington is a dumbed-down version of Ratcatcher in many ways.
Guilty of Romance
Goodbye, See You Tomorrow
A Girl in Black
A Funny Thing Happened on the Way to the Forum
Frivolous Lola
Flying Down to Rio
A Farewell to Arms
Escape from Tomorrow
Le Divorce
Diary of a Chambermaid (Renoir)
Despair
Night Watch
Day Watch
Stargate
Independence Day
The Day After Tomorrow
Daguerréotypes
Edition screened: Included in Criterion Blu-ray box set The Complete Films of Agnès Varda (disc 4) released 2020. French language with English subtitles. Runtime approximately 79 minutes.
Summary: We meet a mild-mannered butcher and watch him cut steaks to order, but there is nothing gratuitous in the scenes.
Varda introduces us politely to the shopkeepers of rue Daguerre, the quaint Parisian street where she lives. Related material on disc 4 includes:
Bread, Painting & Accordion: More time spent in a bakery and a famous Parisian accordion shop (1976, 8 minutes).
Rue Daguerre in 2005: Agnès revisits the storefronts and some of the people from thirty years earlier (2005, 21 minutes).
Fete de la musique: An excerpt from an outdoor music festival held on rue Daguerre (2005, 3 minutes).
A beautiful and refreshing view of working class Paris in the 1970s, free of animal violence, cell phones, and Starbucks.
A 1951 Williams Hayburners is visible through the front window of the corner café at 31:10, and viewed from a different angle at 31:36.
The Pool Sharks
@ BL
The Pharmacist
The Golf Specialist
@ BL
The Fatal Glass of Beer
The Dentist
😸
Edition screened: Included on Criterion DVD #79 W.C. Fields: 6 Short Films, released 2000. English language. Runtime approximately 22 minutes.
The Barber Shop
W.C. Fields: 6 Short Films
Pearls of the Deep
Daisies
Pearls of the Czech New Wave
Carousella
Primitive London
About 14:30 into the movie, montage of a gangster-themed and a Native American-themed playfields spliced together as though it were one machine.