Heads Up, Ears Down
This blog accurately identifies depictions of violence and cruelty toward animals in films. The purpose is to provide viewers with a reliable guide so that such depictions do not come as unwelcome surprises. Films will be accurately notated, providing a time cue for each incident along with a concise description of the scene and perhaps relevant context surrounding the incident. In order to serve as a useful reference tool, films having no depictions of violence to animals will be included, with an indication that there are no such scenes. This is confirmation that the films have been watched with the stated purpose in mind.
Note that the word depictions figures prominently in the objective. It is a travesty that discussions about cruelty in film usually are derailed by the largely unrelated assertion that no animals really were hurt (true only in some films, dependent upon many factors), and that all this concern is just over a simulation. Not the point, whether true or false. We do not smugly dismiss depictions of five-year-olds being raped because those scenes are only simulations. No, we are appalled that such images are even staged, and we are appropriately horrified that the notion now has been planted into the minds of the weak and cruel.
Depictions of violence or harm to animals are assessed in keeping with our dominant culture, with physical abuse, harmful neglect, and similar mistreatment serving as a base line. This blog does not address extended issues of animal welfare, and as such does not identify scenes of people eating meat or mules pulling plows. The goal is to itemize images that might cause a disturbance in a compassionate household.
These notes provide a heads-up but do not necessarily discourage watching a film because of depicted cruelty. Consuming a piece of art does not make you a supporter of the ideas presented. Your ethical self is created by your public rhetoric and your private actions, not by your willingness to sit through a filmed act of violence.
21 Grams
Blancanieves
Le Cercle rouge
Deadly Blessing
Fishing with John
The Hourglass Sanatorium
K Street
Karayuki-San, The Making of a Prostitute
The Hunt for Red October
Hotel (Figgis)
The Four Feathers (Korda)
Force Majeure
Finis terrae
A Field in England
Smart filmmaking rooted in the culture of a complex past. Bravo.
Fantastic Mr. Fox
Chanson d'armor
Carrots & Peas
Les Berceaux
Jean Epstein
A Hollis Frampton Odyssey
• Process Red (1966)
• Maxwell’s Demon (1968)
• Surface Tension (1968)
• Carrots & Peas (1969)
• Lemon (1969)
• Zorns Lemma (1970)
Films from Hapax Legomena
• (nostalgia) (1971)
• Poetic Justice (1972)
• Critical Mass (1971)
Films from Magellan
• Straits of Magellan: Pan 0 and Pan 1 (1969-1974)
• INGENIVM NOBIS IPSA PVELLA FECIT, Part I (1975)
• Magellan: At the Gates of Death, Part I: The Red Gate 1, 0 (1976)
• Winter Solstice (1974)
• Straits of Magellan: Pan 699 and Pan 700 (1969-1974)
Enemy
Encounters at the End of the World
Cousin cousine
Cold Creek Manor
Bally Paragon in the bar.
Chains (Matarazzo)
The Cabinet of Dr. Caligari
Das Boot
The Bling Ring
Big Bad Mama II
God Respects Us When We Work, But Loves Us When We Dance
Indexed after God Respects Us in the Criterion set is the recent making-of documentary Flower Power.
The Blues Accordin’ to Lightnin’ Hopkins
1) At 11:30 we encounter Lightnin’ and a companion in the evening after having just killed a snake. They throw a few more rocks at the snake before it is picked up and flung. No clear images of the snake, dead or alive. Over at 12:22.
2) Mild fishing violence such as unhooking small fish and baiting hooks with shrimp, 13:28-14:48.
3) Mild rodeo action of calf roping and wrangling, 14:45-16:25.
@ BL
Trans-Europ-Express
The Last Bolshevik
Happiness (Medvedkin)
@ BL