Heads Up, Ears Down

This blog accurately identifies depictions of violence and cruelty toward animals in films. The purpose is to provide viewers with a reliable guide so that such depictions do not come as unwelcome surprises. Films will be accurately notated, providing a time cue for each incident along with a concise description of the scene and perhaps relevant context surrounding the incident. In order to serve as a useful reference tool, films having no depictions of violence to animals will be included, with an indication that there are no such scenes. This is confirmation that the films have been watched with the stated purpose in mind.


Note that the word depictions figures prominently in the objective. It is a travesty that discussions about cruelty in film usually are derailed by the largely unrelated assertion that no animals really were hurt (true only in some films, dependent upon many factors), and that all this concern is just over a simulation. Not the point, whether true or false. We do not smugly dismiss depictions of five-year-olds being raped because those scenes are only simulations. No, we are appalled that such images are even staged, and we are appropriately horrified that the notion now has been planted into the minds of the weak and cruel.


Depictions of violence or harm to animals are assessed in keeping with our dominant culture, with physical abuse, harmful neglect, and similar mistreatment serving as a base line. This blog does not address extended issues of animal welfare, and as such does not identify scenes of people eating meat or mules pulling plows. The goal is to itemize images that might cause a disturbance in a compassionate household.


These notes provide a heads-up but do not necessarily discourage watching a film because of depicted cruelty. Consuming a piece of art does not make you a supporter of the ideas presented. Your ethical self is created by your public rhetoric and your private actions, not by your willingness to sit through a filmed act of violence.

Labyrinth of Darkness

Labyrinth of Darkness. Jiří Barta, 1978-1989.
😿
Edition screened: Kino/Kimstim Collection DVD, released 2006. Mostly sound effects without spoken dialogue, Czech titles, and English subtitles as appropriate. Compiled runtime approximately 152 minutes.

Summary: Animated cow slaughter.

Details: The segment The Pied Piper of Hamelin contains a brief scene of a cow slaughter, 1:34:48-1:34:51. This entire film is stop-action animation using wooden figures carved in a Germanic folk style, making it similar to a butchering vignette on a mechanized cuckoo clock. Immediately following is a similarly animated banquet scene with stylized animal body parts on platters.

Labyrinth of Darkness compiles eight films by Jiří Barta:

Riddles for a Candy (1978, 8 minutes)
Disc Jockey (1980, 10 minutes)
The Design (1981, 6 minutes)
The Vanished World of Gloves (1982, 16 minutes)
A Ballad About Greenwood (1983, 11 minutes)
The Pied Piper of Hamelin (1985, 55 minutes)
The Last Theft (1987, 21 minutes)
The Club of the Laid Off (1989, 25 minutes)

A description of the disc and each film can be found at DVD Talk.


I’m King Kong! The Exploits of Merian C. Cooper

I’m King Kong! The Exploits of Merian C. Cooper. Kevin Brownlow and Christopher Bird, 2005.
😸
Edition screened: Included on Warner Special Edition DVD King Kong, released 2005. English language. Runtime approximately 57 minutes.

Summary: No particular depictions of violence or harm to animals.


Kuroneko

Kuroneko (Yabu no naka no kuroneko). Kaneto Shindō, 1968.
😸
Edition screened: Criterion Blu-ray #584, released 2011. Japanese language with English subtitles. Runtime approximately 100 minutes.

Summary: No particular depictions of violence toward animals.


King Kong

King Kong. Merian C. Cooper and Ernest B. Schoedsack, 1933.
😿
Edition screened: Warner 2-Disc Special Edition DVD, released 2005. English language. Runtime approximately 104 minutes.
Summary: Fantasy animal battles.

It seems trivial to enumerate instances of violence in King Kong, perhaps even disrespectful to the film. Much of the action takes place on a fantastic primitive island where ferocious dinosaurs battle to the death and the mighty Kong suffers no trespass. This differs from nature documentary of actual animal fights in that King Kong was conceived in the minds of men purely for entertainment purposes. Fantasy animals die in these violent conflicts, but the implication is more like forces of nature crashing against one another, showing displays of awesome power rather than gore. King Kong’s famous conclusion shows the distraught giant ape brought down from the Empire State Building by military airstrike. Sadness and loss are the only victors.

As Rush Limbaugh has said, “Oh!, Oh! … So it’s fine for animals to rip each each other to shreds, but disgraceful for humans to hunt them as we’ve done for thousands of years.” Yes, that is correct. I’m glad he gets it.

Despite a rather plodding beginning, I am amazed by the thematic quality and entertainment value of this film. It is exciting and spectacular, with mesmerizing special effects that expose current computerized efforts as childish bores.

This Warner Special Edition includes a good biographical feature I’m King Kong! The Exploits of Merian C. Cooper.

Killer Joe

Killer Joe. William Friedkin, 2012.
😸
Edition screened: Lions Gate Blu-ray, released 2012. English language. Runtime approximately 103 minutes.

Summary: No particular depictions of violence toward animals.

1992 Williams The Getaway: High Speed II in 'billiard room' starting at 21:30


Send Me to the ‘lectric Chair

Send Me to the ‘lectric Chair. Guy Maddin, 2009.
😸
Edition screened: Included on Monterey Blu-ray Keyhole, released 2012. English language. Runtime approximately 7 minutes.

Summary: No particular depictions of violence or harm to animals.


Glorious

Glorious. Guy Maddin, 2009.
😸
Edition screened: Included on Monterey Blu-ray Keyhole, released 2012. English language. Runtime approximately 12 minutes.

Summary: No particular depictions of violence or harm to animals.


Keyhole

Keyhole. Guy Maddin, 2011.
😸
Edition screened: Monterey Blu-ray, released 2012. English language. Runtime approximately 94 minutes.

Summary: No particular depictions of violence toward animals.

The Monterey release also includes two short films made during the Keyhole sessions, Glorious and Send Me to the 'Lectric Chair. All are animal violence-free.

Hua yang de nian hua

Hua yang de nian hua (The Blossom Youth/The Enchanted Years) Wong Kar-Wai, 2000.
😸
Edition screened: Included on Criterion Blu-ray 147 In the Mood for Love, released 2012. No dialogue track. Runtime approximately 3 minutes.

Summary: No particular depictions of violence or harm to animals.

A clip montage of Chinese actresses from early films, serving as a style or mood reference for In the Mood for Love.


A Woman Under the Influence

A Woman Under the Influence. John Cassavetes, 1974.
😸
Edition screened: Criterion Blu-ray #253, included in Criterion 5-Blu-ray set #250 John Cassavetes: Five Films, released 2013. English language. Runtime approximately 147 minutes.

Summary: No particular depictions of violence toward animals.

















Shadows

Shadows. John Cassavetes, 1959.
😸
Edition screened: Criterion Blu-ray #251, included in Criterion 5-Blu-ray set #250 John Cassavetes: Five Films, released 2013. English language. Runtime approximately 82 minutes.

Summary: No particular depictions of violence toward animals.














Opening Night

Opening Night. John Cassavetes, 1977.
😸
Edition screened: Criterion Blu-ray #255, included in Criterion 5-Blu-ray set #250 John Cassavetes: Five Films, released 2013. English language. Runtime approximately 144 minutes.

Summary: No particular depictions of violence toward animals.

Faces (Cassavetes)

Faces. John Cassavetes, 1968.
😸
Edition screened: Criterion Blu-ray #252, included in Criterion 5-Blu-ray set #250 John Cassavetes: Five Films, released 2013. English language. Runtime approximately 130 minutes.

Summary: No particular depictions of violence toward animals.
















John Cassavetes: Five Films

John Cassavetes: Five Films. John Cassavetes, 1959-1978.
😸
Edition screened: Criterion 5-Blu-ray set #250, released 2013. English language. Cumulative runtime of seven titles approximately 946 minutes.

Summary: No particular depictions of violence toward animals.

The Criterion box set contains Charles Kiselyak’s feature-length documentary A Constant Forge: The Life and Art of John Cassavetes (2000), and these Cassavetes titles:

Shadows (1959)
Faces (1968)
The Killing of a Chinese Bookie (1976 original cut)
The Killing of a Chinese Bookie (1978 edit)

Játék

Játék (The Game). Zoltán Huszárik, 1959.
😸
Edition screened: Unknown DVD. Hungarian titles, no dialogue track. Runtime approximately 5 minutes.

Summary: No violence toward animals.

An early concept film by the visionary director of Szindbád and Csontváry.


The Italian Job (Collinson)

The Italian Job. Peter Collinson, 1969.
😸
Edition screened: Paramount Special Collector’s Edition DVD, released 2003. English language. Runtime approximately 99 minutes.

Summary: No particular depictions of violence toward animals.


It’s a Wonderful Life

It’s a Wonderful Life. Frank Capra, 1946.
😸
Edition screened: Paramount 2-Disc Collector’s Edition DVD, released 2007. English language. Runtime approximately 131 minutes.

Summary: No depictions of violence toward animals.



Woodshock

Woodshock. Richard Linklater, 1985.
😸
Edition screened: Included on Criterion DVD #247 Slacker, released 2004. English language. Runtime approximately 7 minutes.

Summary: No particular depictions of violence toward animals.

Daniel Johnston deserves better.


Slacker

Slacker. Richard Linklater, 1991.
😸
Edition screened: Criterion DVD #247, released 2004. English language. Runtime approximately 101 minutes.

Summary: No particular depictions of violence toward animals.

This Criterion edition also contains Linklater’s Woodshock (1985) and It’s Impossible to Learn to Plow by Reading Books (1988). Both films are cruelty and entertainment free.

It’s Impossible to Learn to Plow by Reading Books

It’s Impossible to Learn to Plow by Reading Books. Richard Linklater, 1988.
😸
Edition screened: Included on Criterion DVD #247 Slacker, released 2004. English language. Runtime approximately 85 minutes.

Summary: No particular depictions of violence toward animals.

Intolerance

Intolerance. D.W. Griffith, 1916.
😸
Edition screened: Cohen Media Blu-ray, released 2013. English intertitles, no dialogue track. Runtime approximately 167 minutes.

Summary: No particular depictions of violence toward animals.

Several times we see a Babylonian priest make “a sacrifice by fire,” according to the intertitle card. Appearing on the screen is a costumed man solemnly raising what appears to be a bag of mulch to shoulder height, and placing it on a large block foundation. There is nothing alarming, or clear, depicted.

Intolerable Cruelty

Intolerable Cruelty. Joel Coen, 2003.
😸
Edition screened: Universal DVD, released 2004. English language. Runtime approximately 100 minutes.

Summary: No particular depictions of violence toward animals.



Internal Affairs

Internal Affairs. Mike Figgis, 1990.
😸
Edition screened: Paramount DVD, released 1999. English language. Runtime approximately 106 minutes.

Summary: No particular depictions of violence toward animals.



Insignificance (She’s the Bomb)

Insignificance (She’s the Bomb). Nicolas Roeg, 1985.
😸
Edition screened: Criterion Blu-ray #566, released 2011. English language. Runtime approximately 109 minutes.

Summary: No particular depictions of violence toward animals.

Inside Deep Throat

Inside Deep Throat. Fenton Bailey and Randy Barbato, 2005.
😸
Edition screened: Universal DVD (R-Rated), released 2005. English language. Runtime approximately 90 minutes.

Summary: No particular depictions of violence toward animals.

A documentary of the history and politics surrounding the film Deep Throat.

The Innocents

The Innocents. Jack Clayton, 1961.
😿😿
Edition screened: Criterion Blu-ray #727, released 2014. English language. Runtime approximately 100 minutes.

Summary: Implied murder of a pigeon and depicted violence to a turtle.

Details:
1) While tucking creepy little Miles into bed, Deborah Kerr finds a pet pigeon dead with a broken neck under his pillow, 1:05:15-1:15:25. Miles explains it away in an oh-so-innocent way. She reflects that it doesn’t ring true, and flashes back to the dead bird 1:15:47-1:15:53.
2) Miles throws a box turtle through a window as if it were a rock, 1:36:10.


Most people like this adaptation of Henry James’ The Turn of the Screw much more than I do. The incessant cutesy brit-chat makes me fancy a lovely poop in my holiday jodhpurs ever so much.


Innocence

Innocence. Lucile Hadzihalilovic, 2004.
😸
Edition screened: Artificial Eye DVD, released 2006. French language with English subtitles. Runtime approximately 115 minutes.

Summary: No particular depictions of violence toward animals.

Nice.

@ BL

Inferno

Inferno. Dario Argento, 1980.
😿😿
Edition screened: Blue Underground Blu-ray, released 2011. Italian language with English subtitles, and original English language dub. Runtime approximately 106 minutes.

Summary: Depiction of murdering cats, and a living mouse eaten by a cat.

Details:
1) The old antiques dealer scruffs a large cat, bangs the cat’s head on a chair at 1:14:33 to knock it unconscious so it can’t resist, and puts him in a large burlap sack with other (awake) cats, through 1:15:05. From 1:17:00 through 1:17:55 is a long scene of the man struggling to sink the bag into a sludgy pond, with the sound of cats howling throughout.
2) A cat eats a living mouse, 1:33:25-1:33:43.

Hah Hah! … Immediately after the antiques dealer sinks the bag of cats, he falls into the sludgy water, struggles fruitlessly in the mud, and is attacked by rats. A food truck vendor hears his cries for help and runs to the rat-besieged man. He brings no sandwiches, just deserts.

In the Mood for Love

In the Mood for Love (Fa yeung nin wa). Wong Kar-Wai, 2000.
😸
Edition screened: Criterion Blu-ray #147, released 2012. Cantonese language with English subtitles. Runtime approximately 99 minutes.

Summary: No particular depictions of violence toward animals.

Wong Kar-Wai’s 2-minute short Hua yang de nian bua is included on this edition, and also contains no violence to animals.

In the Cut

In the Cut. Jane Campion, 2003.
😸
Edition screened: Sony 'Uncut Director's Edition' DVD, released 2004. English language. Runtime approximately 119 minutes.

Summary: No particular depictions of violence toward animals.

In a shocking deviation from Hollywood expectations, the nice white cat we meet at the beginning of this film is not murdered “as a warning” to someone.


In Cold Blood

In Cold Blood. Richard Brooks, 1967.
😿
Edition screened: Criterion Blu-ray #781, released 2015. English language. Runtime approximately 134 minutes.

Summary: Rodeo violence.

Details: A brief sporting scene in which a young calf is roped and hog tied by a brave sportsman, 23:40-23:56.

The Criterion release also include the Maysles’ With Love from Truman (1966).

Indistinct pinball machines in the hub, at the start of the film.



@ BL

The Immortal Story

The Immortal Story (Storia immortale/Histoire immortelle). Orson Welles, 1968.
😸
Edition screened: Criterion Blu-ray # 831, released 2016. English language. Runtime approximately 58 minutes.

Summary: No particular depictions of violence toward animals.


The Criterion release includes the 1968 documentary Portrait: Orson Welles.


The Illusionist

The Illusionist. Neil Burger, 2006.
😸
Edition screened: 20th Century Fox DVD, released 2006. English language. Runtime approximately 110 minutes.

Summary: No particular depictions of violence toward animals.


Ikarie XB-1

Ikarie XB-1 (Voyage to the End of the Universe). Jindřich Polák, 1963.
😸
Edition screened: Second Run DVD #082, released 2013. Czech language with English subtitles. Runtime approximately 83 minutes.

Summary: No depictions of violence toward animals.



If….

If….  Lindsay Anderson, 1968.
😸
Edition screened: Criterion Blu-ray #391, released 2011. English language. Runtime approximately 112 minutes.

Summary: No particular depictions of violence toward animals.


The Criterion release also includes Thursday’s Children, an excellent short film about a school for deaf children.



The Iceman Cometh

The Iceman Cometh. John Frankenheimer, 1973.
😸
Edition screened: Included in The American Film Theatre Complete 14 Film Collection DVD set, released 2008. English language. Runtime approximately 239 minutes.

Summary: No depictions of violence toward animals.

Lee Marvin stars in this most famous version of the Eugene O’Neill play.















I Spit on Your Grave (Monroe)

I Spit on Your Grave. Steven R. Monroe, 2010.
😿😿
Edition screened: Included in Anchor Bay ‘Legendary Vengeance Double Feature 2 Pack’ Blu-ray, released 2012. English language. Runtime approximately 106 minutes.

Summary: Crude violence to fish; presentation of dead birds.

Details:
1) A catfish is aggressively clubbed in a moronic game, 14:08-14:25.
2) Several images of a dead bird on a porch, 20:28-20:45.
3) Two dead birds are deposited sequentially on another porch and each body is kicked off, 1:05:20-1:06:24.
4) A fish is gutted and its entrails rubbed on a man’s face, 1:27:00-1:27:12.

This movie differs substantially from Meir Zarchi’s original 1978 release, and many of these differences improve both the realism and the horror of the film. In both films a woman is brutally attacked by a group of men, and then exacts extreme revenge upon those aggressors. The original film softens the blow by portraying the men as unrealistic goofballs complete with clownish wardrobe choices. The attack scenes and the woman’s revenge scenes include dull-witted wisecracks and we are left feeling that she, too, is a bit goofy and disturbed. 

Monroe’s remake removes the men’s clownish buffers and allows us to see that these sadistic rapists are in fact the same guys you knew in high school: they are typically vulgar, average looking, typically dressed, conceited, and cruel. Monroe also removes the woman’s irresponsible flirty behavior prior to the attack, thus reducing any notion that she was somehow at fault.

Another prominent upgrade in the later film lies in the characterization of the mentally retarded young man who is forced to participate in the rape and beating by his “friends”. In the 1978 original this character is a buffoon who fuels much of the childish Welcome Back Kotter-style dialogue. The remake styles him into a more sympathetic character, a likable and realistic Edward Norton type who helps us identify the lead aggressors as authentic and despicable.

The message of the first movie might be to stay away from cheap drive-in horror films, but the message of the second is an appropriate reminder that you are not safe among strangers. You know these men. Stay away.