Werckmeister Harmonies (Werckmeister harmóniák). Béla Tarr and Ágnes Hranitzky, 2000.
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Edition screened: Criterion 4K UHD #1215, released 2004. Hungarian language with English subtitles. Runtime approximately 145 minutes.
Summary: No particular depictions of violence or harm to animals. A taxidermy whale figures prominently but there is nothing visually alarming.
The BD in this dual format Criterion release also includes Tarr’s Family Nest (1979).
Family Nest (Családi tüzfészek). Béla Tarr, 1979.
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Edition screened: Included on Criterion Blu-ray # 1215 Werckmeister Harmonies, released 2024. Hungarian language with English subtitles. Runtime approximately 108 minutes.
Summary: No particular depictions of violence or harm to animals.
Twilight (Szürkület). György Fehér, 1990.
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Edition screened: Second Run Blu-ray, released 2023. Hungarian language with English subtitles. Runtime approximately 101 minutes.
Summary: No particular depictions of violence or harm to animals.
Szinbád. Zoltán Huszárik, 1971.
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Edition screened: Second Run DVD #058, released 2011. Hungarian language with English subtitles. Runtime approximately 90 minutes.
Summary: No particular depictions of violence or harm to animals.
The Second Run DVD also includes Peter Strickland’s Szinbád: An Appreciation (2010, 12 minutes).
Sátántangó. Béla Tarr, 1994.
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Edition screened: Arbelos Blu-ray, released 2020. Hungarian language with English subtitles. Runtime approximately 439 minutes.
Summary: Realtime death of a cat by poisoning.
The seven-hour and twenty-minute film is presented on two Blu-ray discs.
Disc 1 presents Part I (137 minutes) and Part II (125 minutes). Disc 2 presents Part III (178 minutes).
The famous 16-minute cat-killing scene takes place in Disc 1, Part II. It begins with mild inappropriate handling by the young girl at 45:00 (shaking, rough handling) then accelerates into a long scene of the girl rolling aggressively on the floor with the cat as though they are struggling. The cat actor does not dig this, growling and ears flat. The cat then is retained in a suspended net while rat poison is added to milk, which the girl makes the cat drink by forcing its mouth into the bowl. We see the cat near death, barely moving, with her head in her bowl concluding at 1:01:17. The girl lugs the dead cat around through her remaining scenes in Part II (concluding at 1:18:59). Part III begins with the girl’s funeral.
There is much discussion about whether this cruelty in fact resulted in the cat’s death or if an on-set veterinarian revived the animal off-screen at the last minute. As always, my position is that even presenting these images, these ideas, to our cruel society is reprehensible. The game of Lie Or Truth allows some people unacceptable smug justification if the depiction turns out to be a Lie. And in any case the girl carries around a clearly-dead real cat for twenty minutes.
This scene is long and excruciating but is not as upsetting or graphic as many of the murdered-pet scenes common in pop-style movies of the late 20th-century. There is no blood, no shocking closeup, no horrifying moment of discovery. The scene consists mostly of the one-sided wrestling match of the girl holding the cat roughly while rolling around on the floor. Viewers of pop movies typically take animal murder in stride, understanding it as a plot device inevitably intended to warn or threaten some straying spouse or unwanted neighbor that he or she could be next. And these scenes usually are fast: a one-second shot of a grimacing strangled cat and we're done. Béla Tarr satisfies neither of these criteria, offers no release valve. No easily summarized aspect of plot is advanced, and viewers unfamiliar with films like Sátántangó do not know that opening a can of beans or walking from one room to the next also often requires ten or twenty minutes film time.
Cat-killing scene aside, every moment of this movie is beautiful. Just skip the 16 minutes as outlined above, thus removing ethical stress and a little screening time in one fell swoop, especially if you share my interest in swoops, fell or otherwise. Why is the cat killed? Because destroying the single nice thing in her world is the only influence the depressed young girl can exert in her bleak life. It is a desperate and misguided expression of self in an oppressive environment. Feel free to skip this section of Part II and enjoy the rest of this otherwise bright and cheery film.
**Please note, if you’re watching this film as a single file instead of across two discs on the blu-ray release, then the animal cruelty commences around 2 hrs 56 mins.
Electra, My Love (Szerelmem, Elektra). Miklós Jancsó, 1974.
My 20th Century (Az én XX. századom). Ildikó Enyedi, 1989.
People of the Mountains (Emberek a havason). István Szőts, 1942.
Red Psalm (Még kér a nép). Miklós Jancsó, 1971.
Message of Stones Part II (Kövek Üzenete: Máramaros). Miklós Jancsó, 1994.
My Way Home (Így jöttem). Miklós Jancsó, 1964.
Another Way (Egymásra nézve). Károly Makk, 1982.
