Heads Up, Ears Down
This blog accurately identifies depictions of violence and cruelty toward animals in films. The purpose is to provide viewers with a reliable guide so that such depictions do not come as unwelcome surprises. Films will be accurately notated, providing a time cue for each incident along with a concise description of the scene and perhaps relevant context surrounding the incident. In order to serve as a useful reference tool, films having no depictions of violence to animals will be included, with an indication that there are no such scenes. This is confirmation that the films have been watched with the stated purpose in mind.
Note that the word depictions figures prominently in the objective. It is a travesty that discussions about cruelty in film usually are derailed by the largely unrelated assertion that no animals really were hurt (true only in some films, dependent upon many factors), and that all this concern is just over a simulation. Not the point, whether true or false. We do not smugly dismiss depictions of five-year-olds being raped because those scenes are only simulations. No, we are appalled that such images are even staged, and we are appropriately horrified that the notion now has been planted into the minds of the weak and cruel.
Depictions of violence or harm to animals are assessed in keeping with our dominant culture, with physical abuse, harmful neglect, and similar mistreatment serving as a base line. This blog does not address extended issues of animal welfare, and as such does not identify scenes of people eating meat or mules pulling plows. The goal is to itemize images that might cause a disturbance in a compassionate household.
These notes provide a heads-up but do not necessarily discourage watching a film because of depicted cruelty. Consuming a piece of art does not make you a supporter of the ideas presented. Your ethical self is created by your public rhetoric and your private actions, not by your willingness to sit through a filmed act of violence.
The Adventures of Robin Hood
The Lady Vanishes
Ladies and Gentlemen: The Rolling Stones
Labyrinth of Darkness
Disc Jockey (1980, 10 minutes)
The Design (1981, 6 minutes)
The Vanished World of Gloves (1982, 16 minutes)
A Ballad About Greenwood (1983, 11 minutes)
The Pied Piper of Hamelin (1985, 55 minutes)
The Last Theft (1987, 21 minutes)
The Club of the Laid Off (1989, 25 minutes)
Kuroneko
Edition screened: Criterion Blu-ray #584, released 2011. Japanese language with English subtitles. Runtime approximately 100 minutes.
King Kong
Killer Joe
1992 Williams The Getaway: High Speed II in 'billiard room' starting at 21:30
Keyhole
Hua yang de nian hua
A Woman Under the Influence
Shadows
Opening Night
Faces (Cassavetes)
John Cassavetes: Five Films
Játék
The Italian Job (Collinson)
It’s a Wonderful Life
Slacker
Intolerance
Intolerable Cruelty
Internal Affairs
Insignificance (She’s the Bomb)
Inside Deep Throat
The Innocents
Innocence
Inferno
Edition screened: Blue Underground Blu-ray, released 2011. Italian language with English subtitles, and original English language dub. Runtime approximately 106 minutes.
In the Mood for Love
Wong Kar-Wai’s 2-minute short Hua yang de nian bua is included on this edition, and also contains no violence to animals.
In the Cut
In Cold Blood
The Criterion release also include the Maysles’ With Love from Truman (1966).
































